Face your daylight horrors!

Get up and watch the sunrise, feed the beast within, then face your daylight horrors.
(Except acorns, it is totally fine to avoid those whenever possible. Seriously, they bother me.)

I am an emotional and enthusiastic person, so here there will be feelings! Mostly good feelings, but awkwardly expressed. That is just how I do things.
Posts tagged "Dragon Age"

lyndzapedia:

I keep seeing all these cutie Amells on my dash so I figured class could take a backseat to me drawing them. :d

Okay so what is cuter than one Amell? A… you know, what do you even call it when a bunch of Amells cluster together? An Adorable Amell Assortment? 4xA? I have no idea but now we need a word for it!

because oh my goodness how cute is this all the little Amells flocking together aah (I love Farrah’s expression and also how is Fand so freckly cute) and tiny little Tara is there being the tiniest of Amells and omg she has her mermaid helmet and she looks so happy aaah thank you so much for putting her in here aah

cuteness overload :O

hawkeward:

lyndzapedia:

Meant to post this earlier in the weekend, but then the typical weekend ‘to-do’s caught up with me. Anyway, here’s Tara Amell, tiniest of Amells, for combination-nc courtesy of hawkeward. <3 I have zero qualms in stating she is by far 10x cuter than my own Amell. And thank you everybody who’s commissioned me (or has recently inquired!) :D

Edit: Now with griffon/griffin/gryphon emblem thingy since I turned that layer back on. :|||||

adljkdsfkljfdsjk ARMOR

adorable baby tiny Amell aaaaaaa she is the cutest and also the most badass

Oh my goodness it is tiny little Tara Amell! Aah and she is in her favourite armour and everything (I view armour-drawing as a near magical skill, because armour is one of those things I just do not get so I am all, whoa!), and she is so so so cute and aaah

Thankyouthankyouthankyou, just looking at her like this is almost sending me into a sugar coma because so adorable omg :O

Also there is even an in-game reason aside from genetics so there is a tiny Hawke too for her adorableness! She is a spirit healer who calls upon the spirits of Hope and Joy to weave her magic, so she really is a sparkling bundle of hopeful joyfulness (and still so badass) that makes the people around her happier just by being near — aha!

That is probably why she is my most effective Warden in all of ever, people got along better and worked together better with her around. Even Loghain! Things went really well with him after she gave him a tiara as an apology for stealing his regent’s crown earlier. It was a very sweet moment.

hawkeward:

lyndzapedia:

I don’t normally do previews on commissions but as I am a) preeeeetty happy with how this turned out and b) some unfortunate circumstances for the receiver of the finished work I kind of wanted to.  However, in the interests of not giving away the whole thing, this is just a thumb (and I still have a bit of tweaking left on my end). :3  

Anyway I hope this brings you a bit of cheer Combo, hawkeward asked me to draw your precious little Amell and I am very happy to have done so. I’m really sorry about what you’re going through and you have my sympathies. 

She should be done in the next day or so and I hope you enjoy her but for now here is a tiny peek at Tara. <3

omg omg omg

y’all need to commission this marvelous person whenever you have the opportunity because she is a total pro and how can you possibly resist the adorables aaaaaaa

I can’t wait to see the finished version omgggggggg

First there was a no words only feels moment, and also being overwhelmed by how adorable she is (the most adorable in all of ever) and she is in her huge mermaid helmet and everything, and aah so rosy cheeks and just so cute how is my heart to handle this cute

I have definitely been brought cheer! And I just want to say thankyouthankyouthankyou over and over, forever, to both of you, for thinking about me and for precious Tara here, and I just, I am so thankful and also curious about the rest because so when cute already, how will my heart handle it?

hawkeward:

Why do you look at me like that?


First, speechless times.

Then, Swedish button smash times: adkölangåpölkalvalkrgaah and omg the gorgeous I cannot

And then alone time (no not that kind) because I need to collect my thoughts and transform them into proper words because oh my goodness, and your evil ways adds so much to the image and I just, oh my goodness suddenly urges to proclaim my love forever and well he is a desire demon so I guess that fits but actually it is platonic okay I will stop now before more awkward

After having been deprived of the movements and sounds of everyday life for so long the crowded hall soon becomes too much for Anders; to be hit with everything he has been without all at once is overwhelming, and he keeps his hands clamped over his ears as Karl leads him away, careful not to touch where it seems to hurt the most. He is still uneasy under his hand as if even a gentle touch like this itch, and Karl hopes it is only due to being unaccustomed to physical contact.

They settle in the Chantry in part because it is devoid of templar guards to allow for a measure of privacy, but most of all due to it being more silent than anywhere else in the tower; their only company is a brief visit by a young apprentice who prays with more intensity than any priest Karl has ever encountered. The dim light granted by the many lit candles is kinder to Anders’ eyes as well, and he avoids closing them even though it is clear they hurt, seemingly hesitant to even blink. Karl wonders if it is for the fear of if he closes them for too long the Chantry will be gone when he opens them again, replaced instead by the solitary dark, or if he wants to avoid even the soft darkness of his own eyelids after having been kept apart from all non-magical light for so long. He does not ask, either because he does not know how to or because he fears the answer being something darker still. To even speak at all is difficult when he is so unsure of where to start, and he finds himself missing the ease of sharing his thoughts on paper. While he was writing the letters he wanted nothing more than to speak with Anders directly, but with him next to him the words gets stuck in his throat; blocking each other, perhaps, because there are so many that wants out at once. 

“It was a risky thing to do,” Anders says at last, having found the words which wanted out the most before he did, and Karl has to smile at the fond approval in his voice.

“That is not something I want to hear from someone who tried to climb out of the tower,” he laughs because really, Anders is not one to speak, and Anders laughs a tired brittle sound with him; had it not been for the smile playing at the edge of his lips Karl would worry more than he does. “Did you, really?”

They watch the flickering candles in silence as Anders loses himself in thought.

“I guess,” he manages at last. “Or I jumped.” He sighs and eases himself closer, and when their arms touch Karl can hear a faint crinkle of paper hidden in his sleeve. A risky thing to do, indeed.

And he cannot, cannot bring himself to ask if he means a different sort of jump than the opportunistic it was a quick way down kind. Instead he grasps his hand, and as their fingers lace together his eyes seek out Anders’ in hope of seeing the answer reflected there. Anders in turn must have read the question in his, because he answers it.

“Sometimes, I’m not really sure.”

But he clings to Karl’s hand like a lifeline.

They do not meet each other again until two templars unceremoniously drops Anders off at the great hall one noon far too long after the rumoured escape attempt; to Karl it does not feel quite as long as it has been, the letters having left an impression of conversation behind, but he has still counted the days up to a cruelly high number. 

Anders seems almost unaware his time in solitary is over; he looks as dazed as if he has just been hurriedly and harshly risen from sleep and remains standing where the templars leave him, looking around the hall in bewilderment, seemingly not believing himself awake. Sure enough, Karl catches him absent-mindedly pinching his left elbow, and he has to smile. It is however a short, fleeting thing, since upon registering he is awake something in Anders seems to break. Karl is up on his feet and on his way to him before he has time to think, because seeing Anders look so lost and haunted does not leave him any time to do so.

As he places a hand on Anders’ back to lead him to a table to make sure he gets something to eat, he shrinks away from his touch and hunches his shoulders forwards as if it hurts. Of course.

“I am so sorry”, Karl whispers, but not as an apology for the unintended pain he just caused.

“It was worth a try”, Anders says with a voice gone rough from lack of use. He stumbles over his own feet even as he keeps his eyes steadily on them and the floor, still not quite used to taking so many steps at once. When Karl steadies him, careful to place his hand in a different spot this time, he does not flinch but if it is because he is touching a spot where it does not hurt or simply because Anders was prepared for his touch, Karl does not know.

“Even given how it ended up?”

“Of course”, come the words as an echo to his own thoughts, but strengthened and not so resigned. He turns his head upwards to look Karl in the eye, and the smile visiting his lips is brilliant to behold. “I got far enough to breathe outside air.”

“And that is worth so much?” The question is not meant to provoke, and for once it does not. There are more questions, forced back from the tip of his tongue because how many lashes for how many breaths of night air is not the right thing to ask at a time like this.

“Yes. If you think about some things”, he says with enough emphasis to tell Karl without words the letters made it to him safely and in doing so lifts an invisible stone from his shoulders, “some more, you might understand.”

He does not need to spell it out for Karl to know; some things are worth anything.

The moment before I lift the quill I always find myself at a bewildering loss for words, so uncertain of which ones to put down. Not because I do not have anything to say; it is in fact quite the opposite. There are many things I would like to tell you, but my thoughts have been rather jumbled together as of late and difficult to sort out. Yet I shall endeavour to coax some of them out of the knot they seem to have tangled themselves into.

Writing things down, I have found, is somewhat similar to whispering those so-called sweet nothings in the ear of a lover you have your arms wrapped around while your breaths slow down together in how intimate it is. Quill in hand, I constantly find myself longing to say things I would not otherwise, and once I have started to move it across the pages it is difficult to will it to stop (and stop it I must, at some point, lest I write something down we will both come to regret). Recently, I have also found myself yearning to listen to some things I used to shy away from, and I have allowed myself to dwell on memories I kept under much tighter lock before. Such as the ones of what the sky looked like in the Anderfels just before dawn during midwinter, or how gentle spring rain used to feel against my skin, and what it sounded like when wild autumn winds tore the last leaves of the year from the trees. I still force thoughts like these away before the burden of loss grows too heavy to bear, but when I have the strength to carry the longing they may bring I allow them to linger.

Life goes on and things change; some much too quickly, and others not nearly quick enough. But change they will; do not forget this. Even as you are in a place where I cannot wrap my arms around you as I wish and most changes must be hard to notice, believe me. I have felt them, and more will come.

How strange it feels to put quill to paper with the intent to pen a letter; it is not something I have done since my ill-advised attempt to re-establish contact with my family so long ago. I never arranged for it to be sent, and there are times when I wonder if I should have. I suppose I feared not receiving a reply far too much to put myself at risk of having nothing but their silence, and the pain I would have felt then. Seeing as they never wrote me, the decision to leave well enough alone was likely the right one to make. I assume they do not even know where I am, now, and… what a strange thought that is. They would not have been informed of my transfer, after all. At the time, I did not dwell on whether to think of it as right or not; it was merely a fact.

But that was then, and this is now. This is a letter I fear sending more than I fear the lack of a response, which I know is not able to arrive at all. Unlike my last letter, however, this one is not written with the hope of an answer in mind, and I think of some things differently now than I did then. To know what to write, though, is more difficult than I thought. It is not at all like speaking, not with words written down being so much more permanent (but do not let these particular ones be) than spoken ones. I feel myself consider every word so carefully, but even so, nothing I write feels quite right. Few things do, these days.

It is not right for you to be alone where you are now, but I can do as little to change where they decide to place you as I could to change where they decided to place me. In the end, I have reasons to be glad they put me where I am, though I shall never be glad for where they have you now. I wish there were things I could do to comfort you, things I could say to ease your loneliness. Things are not as easy as that, I know. There are no magic words to dispel solitude, I suppose. If I find them, I will write them down for you to read later. I… keep you in my mind. You are not forgotten. Please keep me in mind in turn, and do not forget your place is not where you are now. They will let you out, and you will have better days than these.

Karl delays his journey down the tower long enough to be able to pass the serving girl on the way as she makes her way back up, and it is not until after she smiles and nods at him in a silent all clear that he realises he has been holding his breath.

This is not a small rule to break, and unlike sneaking into a storeroom to misuse it for a tryst, not one that will be seen as relatively harmless in the eyes of anyone who might catch him in the act. He has never had to endure any punishments harsher than a figurative slap on the wrist, but if he is ever to be truly punished for anything it seems likely it will be this. Arranging for a letter to be smuggled to someone in solitary confinement is a far sight worse than passing lewd notes during lectures, and, he finds, a lot more exciting as well. It is enough of a thrill to make him feel slightly light-headed, and it is not all due to fear. After having spent so much of his life bowing his head down and not fighting against anything, this one thing feels… not only right, and good, but freeing, and it is wonderful heady feeling almost frightening in its intensity.

Is this why Anders is not content with escaping but insists on breaking all manner of small rules almost as a matter of principle once brought back and confined once more; to be able to cling to a small piece of freedom? Or do the heavy walls of the tower simply itch so much that he cannot help but act out in any way available with little or no thought behind it, and even less understanding of why?

If so, no wonder Karl’s question of what would you have me do was met with a sorrowful admission to not know.

He wonders if the rule broken with the letter sent is the answer, and if it will help at all.

The stone floor is much colder in the evenings, making it uncomfortable to get around in thin indoor shoes; a subtle discouragement for walking around instead of immersing oneself in a more proper past time like studying. As late as a month ago he would not have been thinking about how much colder it must be deeper down in the tower, but now he does as his right arm stretches out to let his hand touch the cool wall beside him and trace the outline of stone smoothed by ages as he walks.

How many steps does it take to walk all the way around a solitary cell, and how many rounds would it take before a finger drawn along the walls like this would chafe? Has Anders been pacing from wall to wall, or has he kept himself curled up in a corner, trying to not think of how few steps of his would fit in each direction? Does he close his eyes to pretend that is the reason for the darkness, and does he cover his ears to keep any whispers out?

Karl does not need to think about any of the hows or whys of it, yet he does simply because Anders has to. Anders has to live the answers to those questions, and it is not fair that no one considers them more. It is not fair to lock anyone away for that sort of torture to play itself out and then forget. Someone ought to think about what is happening between these walls, no matter which floor it happens on. Him alone merely thinking changes nothing, not on a larger scale, but to not close his own eyes in the face of these dark things feels right.

Carefully making his way to the kitchens when he should not feels right. Looking as if he belongs instead of sneaking towards his goal feels right, as does reaching it. Talking uncharacteristically sweetly to a serving girl feels… a touch wicked, to be entirely truthful, but still right. Placing a carefully folded note under a dinner bowl with too meagre contents feels right. The smile he gives her as she prepares to carry the tray away might be a bit too warm, judging by the way her cheeks colour, but in the face of this success he cannot not smile as he does.

Just as he keeps Anders in mind while he is down there, Karl is going to do what he can to remind him of that there is an up here.